Critics are Raving About ‘Murder’!

Critics have been raving about our latest play, Murder on the Orient Express, directed by Alan Waserman and produced by Beth Eslick and Kristin Krause. Check out what critic’s are saying:


“All aboard: Conejo Players Theatre’s take on Agatha Christie’s Murder on the Orient Express (adapted by Ken Ludwig) is nimble, stylish, and proudly homegrown exactly the kind of community-theatre triumph that makes Thousand Oaks’ scene feel bigger than its footprint… Sleek design, a sure hand on pace, and a savvy volunteer ensemble make Conejo Players Orient Express a gratifying night out one that proves, again, just how much artistry a community can summon when it pulls in the same direction.”

“This is an outstanding cast for a community theater production. Mastrovito is the master clue bender — sly, humorous, humble and yet sharply observant. He is Christie’s version of Sherlock Holmes. Miller is his Dr. Watson. The humor and hubris of the show are captured by Potter, who is reminiscent of Madeline Kahn. And Latham’s performance as an imperious Russian royal is a perfect foil for Poirot’s gentle, polite persona… This production proves once and for all that Christie is the master, and Poirot is her genius.”

“The cast is solid throughout… The clever revolving set designed by Conejo mainstay Rick Steinberg illuminates aspects of the train interior, all well-appointed to highlight the sumptuous feel of the 1930’s era… Delicious period costuming appeals to the eye and accents the various characters in fine form… All the characters are excellently played, forming a tight ensemble to move the mystery along… the mystery prevails and holds the audience to the end… It is time well spent. ”

Ventura Breeze: Glass Menagerie Classic Endures

Shirley Lorraine from the Ventura Breeze gave The Glass Menagerie a glowing review!

“Director Elena Mills has assembled a quite capable cast to bring this classic to life. The setting is impeccable, employing clever scrims to highlight certain memories. All four of the actors are excellent in their roles. Pacing is rapid and dialogue is crisp. The tone of frustration, anger and impatience bubbles to the surface throughout. Even the gentleman caller, who is often seen as the most empathetic character in his gentle approach to Laura’s shy demeanor, is played with an abundance of bravado”