Auditions - Jan 12 - Jan 14, 2025
Book by Terrence McNally
Music by Stephen Flaherty
Lyrics by Lynn Ahrens
Inspired by the Twentieth Century Fox Motion Pictures by special arrangement with Buena Vista Theatrical. From the play by Marcelle Maurette as adapted by Guy Bolton.
Presented through special arrangement with: Concord Theatricals
Directed by: Erin Fagundes
Produced by: Jen Isaacs
Music Director: John Gaston
Choreographers: Wendy Babb & Imani White
Fight Choreographer: Rachel Borbas
Music Directors: John Gaston, Michael Robinson
Stage Manager: Carolyn Luu
Lighting Designer: Jack Allaway
Light Operator: Moe Bongiovi
Spot Operator: Nancy Solomons Barker
Set Designers: Brian Peterson
Head of Construction: Rick Steinberg
Construction Crew: John Holroyd, Max Honigsberg, Rick Steinberg, Mike Watrobski
Costume Designer: Austin Peterson
Costume Assistants: Kathleen Carter, Deidre Hobbs, Gina Lorenz, Dana Marley-Kolb, Betty Fuhrmann, Rosemary Tobin
Sound Designer: Joe Krause
Sound Operators: John Gaston, Joe Krause, Kristin Krause
Sound Effect Designer: Kirk Longhofer
Projection Coordinator: Paul Babb
Projector Operator: Chris Ford
Propmaster: Patrick Rogers
Props Assistant: Nancy Barker
Hair/Wig Designers: Lauren Bailor, Jené Hernandez
Creative Consultant: Courtney Potter
Production Assistant: Dana Marley-Kolb
Script Supervisor: John Barker
Audition Pianist: Kyle de Tarnowsky
Staff Photographer: Scott Quintard
Lobby Board: Paul Babb
Backstage Crew: Andy Ames, Belle Krause, Haley Marie, Rylee Stafford, Jaden Timms
PR: Ritchie Filippi
Audition Dates & Times:
Sunday, Monday, and Tuesday, January 12-14, 2025, at 7:00 pm
If needed, callbacks may be held Saturday, January 18th. Callbacks are by invitation only, and not all roles will be called back.
Audition Location:
Conejo Players Theatre
351 S. Moorpark Road
Thousand Oaks, CA 91361
Performances:
Fridays & Saturdays at 8:00pm. Sundays at 2:00pm. Thursday, March 27 at 8:00pm. Saturday Apr 5 at 2:00pm.
Audition Requirements:
Come prepared to dance as you will be asked to learn and perform a short dance call in various styles. **Please Note, this show does include a traditional/classical ballet number so please notify or mark on the audition sheet if you have any ballet experience.**
Please prepare one (1) minute of a song in a similar style to the source material. Do not sing a song from the show. Do not sing a cappella. Bring sheet music in your key; an accompanist will be provided. A music device with an accompaniment-only track is also acceptable, provided it is edited and cued correctly and saved locally (please no YouTube recordings or anything that relies on a wireless signal). There will be a short combination to assess movement ability; please wear or bring comfortable dance attire and dance shoes if you have them. This is an “open call” audition. Non-Equity, NO PAY.
When auditioning, please list any and all commitments during the rehearsal period – even on days not currently listed as rehearsal days. To the greatest extent possible, the schedule will be built around the cast’s availability. No additional conflicts will be accepted after casting, and no conflicts will be accepted for performance dates or the week before opening. The only way we would consider performance conflicts would be if we were to double-cast a role; this is not currently the intent, but it is not impossible. Please just be upfront with us, and we will afford you the same courtesy.
Post-audition feedback will not be given.
Rehearsals: January 20 – March 20, 2025, 7:30 – 10:00pm, Monday through Thursday (time may be slightly adjusted).
+ Some weekend rehearsals may occur during the day
+ Occasional Friday evenings as needed, based on availability
+ Conflicts must be listed for ALL DAYS, though – the above schedule may be changed based on cast availability
PLEASE NOTE:
- The end time is highly approximate; generally, it may be earlier in the beginning and last longer as we get closer to opening. We are very respectful of everyone’s time.
- There will be no specified end time during tech week – it will depend on the running time of the show.
The show runs from March 21 – April 13, 2025.
• Friday and Saturday at 8:00pm / Sunday at 2:00pm
• Thurs March 27, 2025, at 8:00pm and Sat April 5, 2025, at 2:00pm
All performances are mandatory.
Anastasia: The Musical is the spectacular musical about discovering who you are and defining who you’re meant to be. Inspired by the beloved animated film and the real-life legend, this captivating tale follows the adventures of Anya, a young woman with no memory of her past, as she sets out to uncover the secrets of her identity and unlock her destiny. Joined by a charming conman and a lovable sidekick, Anya navigates the glittering streets of 1920s Paris and the haunting memories of her homeland, Russia. But as she draws closer to the truth, she must confront the shadows of her past and embrace the power of her own resilience.
For more information:
Contact Jen Isaacs at jennifer@pjevents.com
Show Synopsis
This dazzling show transports its audience from the twilight of the Russian Empire to the euphoria of Paris in the 1920s, as a brave young woman sets out to discover the mystery of her past. Pursued by a ruthless Soviet officer determined to silence her, Anya enlists the aid of a dashing con man and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love and family.
Character Descriptions
All roles are open to anyone regardless of race, ethnicity, nationality, class, caste, religion, belief, gender, language, sexual orientation or gender identity. Ages listed are approximate and apply to the character and not the actor. Pronouns referenced apply to the character and not the actor.
Anya
When we first meet Anya, she is a lost soul, but one with great strength, pride, determination, and dignity. As the story progresses, she begins to discover her sense of self and the possibility that she may be the missing daughter of Tsar Nicholas. She possesses a sense of humor, wit, and determined spirit. Her transformation into Anastasia should be breathtaking. Soprano with a very strong, controlled belt. Must move well.
Age: mid 20s
Vocal range top: F5
Vocal range bottom: G3
Dmitry
An opportunist trying to make it on the streets of Russia by selling stolen objects from the Tsarist past. He is the prince of St. Petersburg’s black market. He creates the scheme to find an Anastasia impersonator in order to gain the reward for her safe return. He is smooth, persuasive and daring. Has a sense of danger, edginess, and charm. He is a scoundrel but with a heart of gold. Must move well.
Age: mid to late 20s
Vocal range top: A4
Vocal range bottom: A2
Vladimir “Vlad” Popov
Vlad is Dmitry’s partner in crime (literally) and surrogate father. Before the revolution he scammed his way through society pretending to be a count. Vlad is dramatic, crafty, and a big softie at heart. While he, like Dmitry, is not above lying, cheating, and stealing, he cares greatly for his loved ones and is generally affable, though he can be calculating when he needs to be. Must have great comic timing and move well.
Age: mid 40s – early 50s
Vocal range top: F4
Vocal range bottom: A2
Gleb
Gleb is a son of the Russian revolution. As a career officer in the Bolshevik secret police, he is a passionate defender of the hard-won gains of the new order. His attraction to Anya puts him in violent conflict with himself. He fully believes in the Communist ideals he follows. Loyal, honest, and hardworking, Although the “villain”, he must be likeable. Excellent singer. Non-dancing role.
Age: mid 30s-early 40s
Vocal range top: Gb4
Vocal range bottom: A2
Dowager Empress Maria Feodorovna
She is the formidable and imperious grandmother of Anastasia, her favorite grandchild. She never truly gives up the belief that her granddaughter might be alive, but finally after years of enduring Anastasia pretenders, she becomes hardened and bitter. Has elegance, beauty, and a regal bearing. She commands authority and attention the minute she enters a room.
Age: to play 80
Vocal range top: Bb4
Vocal range bottom: F3
Countess Lily Malevsky-Malevitch
She is the Dowager Empress’s confidante/lady-in-waiting. She’s compassionate, respectful, and good at her job, but when she’s away from the Dowager she knows how to have a good time and rules the Russian expat roost. A character comedienne, but with allure and sex appeal. Strong movement or dance ability.
Age: late 30s-50
Vocal range top: C5
Vocal range bottom: Eb3
Little Anastasia
The willful, brave, proud, and precocious youngest daughter of the Tsar. She has a special bond with her grandmother. Will also be in the Ensemble. Must have a sweet and strong singing voice and move well.
Age: to play 7-10
Vocal range top: C5
Vocal range bottom: C4
Alexei Romanov
Anastasia’s younger brother. Will also double as ensemble member.
Age: to play 7-10
Tsarina Alexandra
A stern mother. Very devout, brittle, paranoid about the collapsing regime and grief-stricken about the health of her son, the Tsarevich. Uncomfortable around her mother-in-law. Also doubles in the Ensemble/other roles.
Tsar Nicholas II
A loving father. Elegant. He tries to keep the peace between his mother, the Dowager Empress, and the Tsarina. As his youngest daughter grows into a young woman, he protects and guides her. Also doubles in the Ensemble/other roles.
Olga, Tatiana, Maria
The three other Romanov sisters. Must sing and move well. Will also double in other roles, possibly including Odette in the Swan Lake segment, depending on dance experience.
Age: to play late teens to early 20s
Odette and Prince Siegfried
Featured in the Swan Lake ballet scene. Odette must dance en pointe and Price Siegfried should have list experience. Both will also be in the Ensemble/other roles.
Count Ipolitov
Dignified and intellectual, grief stricken about leaving his homeland. Authoritative and formidable. Doubles as ensemble member. Strong baritone with featured solo.
Age: 20s onward (open)
Count Leopold
He’s one of the presumptive Romanov heirs; a snob; a bit of a fop. Doubles in the ensemble/other roles.
Age: 20s onward (open)
Featured Roles & Ensemble
The Ensemble has a TON to do in this show and plays a vast array of featured characters. Strong singing and movement ability required.